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  <title>we are instruments, we are copyrighted</title>
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  <pubDate>Fri, 21 Oct 2005 18:41:50 GMT</pubDate>
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  <description>9.&lt;br /&gt;&lt;br /&gt;As a rule, my sister didn&apos;t care for social gatherings,&lt;br /&gt;though when she went she carried away&lt;br /&gt;a palpable feeling of euphoria. This wasn&apos;t,&lt;br /&gt;however, the euphoria of &quot;a good time,&quot;&lt;br /&gt;but the accomplishment of someone who&apos;d managed&lt;br /&gt;to remain &lt;i&gt;incognito&lt;/i&gt; under very exacting scrutiny.&lt;br /&gt;When we were alone, this shyness proved self-&lt;br /&gt;wounding, and I felt at times that many of the secrets&lt;br /&gt;she confessed to me were things she actually&lt;br /&gt;wished she&apos;d regretted, more than things she suffered&lt;br /&gt;for having done. In these and other respects,&lt;br /&gt;she reminded me of those blue translucent birds&lt;br /&gt;(&quot;so the hawks can&apos;t see them against the sky&quot;)&lt;br /&gt;Marlon Brando describes in &lt;i&gt;The Fugitive Kind&lt;/i&gt;.&lt;br /&gt;Those legless birds that &quot;don&apos;t belong no place&lt;br /&gt;at all,&quot; and so stay on the wing until they die.&lt;br /&gt;&lt;br /&gt;-Sherod Santos, &lt;i&gt;Elegy For My Sister&lt;/i&gt;</description>
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